Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
as Himself
as Himself
2014-08-12
02020-05-01
02010-11-25
02012-09-07
02022-02-01
01980-08-25
02014-04-27
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